• Home

Vst Plugin Bx_digital V2

 
Vst Plugin Bx_digital V2 Rating: 3,6/5 5359 reviews
Hear the difference. Use the M/S power and the sophisticated sound of the Brainworx plug-ins on all your main channels. Contains bx_boom!, bx_control V2, bx_digital V2, bx_dynEQ, bx_hybrid and the free plugins bx_solo & bx_cleansweep.

Brainworx bxdigital V2 by Plugin Alliance / Brainworx is a Virtual Effect Audio Plugin for macOS and Windows. It functions as a VST Plugin, an Audio Units Plugin, a VST 3 Plugin, an RTAS Plugin and an AAX Plugin. /vinylizer-vst-plugin.html. The BX Digital plug-in has the necessary M&S matrices built in, and its unique feature, according to Brainworx, is that it makes it possible to solo the 'M' or 'S' signals. In other words, you can listen to only the 'M' or 'S' component of your mix, and work on these two signals independently. Native Instruments. Native Instruments has done a remarkable job by releasing KOMPLETE START. Bxdigital V2 by Brainworx is a Virtual Effect Audio Plugin for macOS and Windows. It functions as a VST Plugin, an Audio Units Plugin, a VST 3 Plugin, an RTAS Plugin and an AAX Plugin. UAD Hardware is required. Plug-in, App & Soundware Format (s).

Vst Plugin Bx_digital V2 Vst

Version 2.6.3 (Jul 18, 2015) - General codebase update Version 2.6.2 (Jun 22, 2015) - General codebase update Version 2.6.1 (May 27, 2015) - Fixed wrong installation path for 32-bit Win VST plugin version Version 2.6 (Apr 14, 2015) - Fixed parameter order in the generic view to comply with the GUI (422) - Fixed metering code Version 2.5 (Nov 18. Includes the following Brainworx plug-ins: bx2098 EQ v1.20 bxbassdude v1.50 bxblackdist2 v1.30 bxbluechorus2 v1.50 bxboom v1.11 bxcleansweep Pro v1.40 bxcleansweep V2 bxconsole E bxconsole G bxconsole N v1.30 bxconsole SSL 4000 E v1.10 bxconsole SSL 4000 G v1.


The concept of the bx_dynEQ is a truely NEW approach to dynamic EQ-ing, using innovative M/S features to allow for results not possible with any other EQ.

The stereo version introduces our unique 'cross-feed' M/S feature, which allows M & S signals to actually 'trigger' each other! An impressive election of filter types including our new Brainworx band-pass filters and our trademark Bass-Shift and Presence Shift filters make this EQ an engineers swiss knife. Preset knobs in the GUI enable the engineer to find good starting points fast and easy despite of the complexity of this new monster..
bx_dynEQ is not only an EQ, not even only a dynamic EQ, but it also is a true dynamics processor and an EQ system at the same time.
bx_boom! is actually the ONE bx_dynEQ preset demonstrating the superior M/S features of this EQ best. Stripped down to only 2 parameters and an intuitive graphic design this tools enables you to attenuate or boost the impact of your bass drum sound - in a final mix (!) or a complete stereo drum-loop. bx_boom! is only availble as a true stereo plug-in due to the M/S nature of the beast. bx_dynEQ features a 'boost' preset though that comes close to what bx_boom! does..
bx_dynEQ & bx_boom! can be used to help you in many different situations:
* De-Essing (individual tracks, subgroups and master channel)
* dynamic EQing of mono-, stereo- and M/S signals
* bass-drum tuning in final mixes(!) and drum groups
* dynamic stereo-widening using the internal M/S features
* M/S compression and limiting
* Sound-Design
Main feautures bx_dynEQ:
* 1-band and 2-band dynamic EQ
* mono, multi-mono and stereo (L/R & M/S)
* BRAINWORX critically acclaimed filters
* complete set of filter types for both, main audio path and sidechain:
* low & high shelving, peak bands, band-pass filters, high-pass, low-pass, bass-shift, presence-shift
* new and innovative solo modes
* M/S insideà M/S stereo width control on any stereo channel
* M/S cross-feed feature for sophisticated results
* dedicated BYPASS switch in the plug-in GUI
* 'mouse over' feature: adjust the parameters by holding the mouse over any knob and simply turn your mouse wheel.
* direct access: just type in any valid number into the text fields for direct access to the exact value
* EQ panel with multi-mode EQ display (actual EQ-curves & sidechain filter curves).
* fully automatable
Main features bx_boom!:
* 3 different modes (lo / mid / hi)
* hi-end BRAINWORX band pass-filters
* boost and attenuate your bass-drum in a final mix(!) or an individual drum loop
* taken from bx_dynEQ, our new hi-end dynamic EQ & compression system
* fully automatable
* dedicated BYPASS switch (cymbal sign) in the plug-in GUI
* 'mouse over feature': adjust the parameters by holding the mouse over the bass-drum or the pedal and simply turn your mouse wheel.
* direct access: just type in any valid number into the text fields for direct access to the exact value
DOWNLOAD!

Brainworx's revolutionary flagship product, bx_digital, was the first commercially available Mid/Side equalizer plugin, and it still reigns supreme today as the EQ for mixing and mastering.

The seminal plugin's first major upgrade, bx_digital V2, was voted #1 Best Plug-in of the Decade by Future Music and quickly became the standard by which other equalizers are judged.

The 11-band equalizer's forward-thinking feature set includes parametric bell, high- and low-shelving, and high- and low-pass filters for each channel; mono, dual-mono (L/R), stereo and mid-side modes of operation; a mid-side decoder (especially useful for recording acoustic instruments, drums and even bigger ensembles in a super mono-compatible and extremely natural way); spectrum-balancing Bass and Presence Shifters; the pioneering Mono Maker summing tool; and comprehensive imaging, monitoring and metering facilities for high-level mastering.

Now Even More Powerful
With the release of bx_digital V3, the bar just got raised again. The major update extends the High Frequency band's upper range to 40 kHz to sweeten and add ‘air’ to high-resolution audio tracks, mixes and masters. A Dynamic EQ module, API-style Proportional Q filters and six notch filters (three per channel) have been added to handle any surgical mix or mastering task, making it a perfect tool for film mixing and post production as well. The unique Bass and Presence Shifters have been made much more versatile, each now offering a selection of three different tilt filters that balance and unmask hidden details in your mixes.

Vst Plugin Bx_digital V2 V3

V3's transparent high pass and low pass filters now provide alternate slopes to sculpt your tracks' high and low end and selectively weed out rumble and hiss with greater precision. And the new, global Gain Scale control makes proportional gain changes to all parametric, shelving, and Bass and Presence Shift filters at once—preserving your carefully wrought balance across all bands as you dial in the perfect overall amount of EQ.
All this power comes in two workspaces—separate component plugins for mixing and mastering—to help you work faster. On individual tracks that don't need surgical equalization, the 'bx_digital V3 mix' plugin simplifies operation by excluding mid-side processing and additional meters. On your main subgroups and the master stereo bus during mixdown and mastering sessions, use the 'bx_digital V3' plugin to roll out the big guns: a full complement of Mid/Side equalization controls and separate meters for pre- and post-EQ signal levels, L/R balance and correlation. Advanced imaging controls let you independently pan your mix's mid and side channels, widen the stereo image, swap left and right channels and center the phantom stereo image.
V3 for Clearer and Cleaner-Sounding Mixes and Masters
V3 is not a 'character' EQ. It's eminently pristine, using ultra-transparent filters that minimize phase shift and frequency masking to deliver clearer and more focused mixes and masters. The Bass and Presence Shifters produce opposing boosts and cuts in adjacent bands to prevent excess spectral energy buildup that can make mixes sound boomy, blurry or edgy. Each Shifter in V3 offers a selection of three different tilt-equalization sounds featuring different boost and cut frequencies, bandwidths and relative gain.

Use them, for example, to boost your mix's low-bass punch while simultaneously clearing out muddy upper-bass and low-midrange frequencies. Or increase presence to spotlight guitars and vocals, while softening searing cymbals. You'll work faster: a mouse click and single knob twist are all it takes!
V3's new Proportional Q filters are another huge plus. These filters progressively adapt the Q as you increase or decrease gain, focusing your boosts and cuts exactly where they're needed and without suffering tradeoffs in neighboring bands. Boost bass frequencies on male vocals to accentuate the singer's powerful chest register—without muddying the lower midrange. Cut honky midrange frequencies on the kick drum track while fully preserving the beater's high-frequency slap. V3 is precise.
The V3 update also updates the simple De-Esser that was included in bx_digital V2 to a much more versatile Dynamic EQ that can compress or upwardly expand any frequency band from 20 to 22 kHz. Sure, the Dynamic EQ can still de-ess sibilant vocals and cymbals. But you can also use it to automatically attenuate bass frequencies on an acoustic guitar track only when the guitar gets boomy, leaving it unprocessed at all other times. Or use it to boost bass drums in complex signals. You can also tame the high frequencies of a vocal performance automated, only when a singer hits the top of their range.

Vst Plugin Bx_digital V2 Download

The Dynamic EQ is all about consistent tone—and less need for time-consuming EQ automation. Setup is a snap: a Solo function lets you hear the frequency band that the Dynamic EQ will treat as you dial it in. Set the Speed switch to Fast to nip speedy sibilance in the bud or Slow to tame boomy bass frequencies without pumping. Place the Dynamic EQ before or after V3's main filter section with the click of a mouse.
V3's innovative Solo functions help you make smarter EQ decisions while working fast. Activate the Auto-Solo and Auto-Listen switches to add touch-sensitive functionality to Gain, Q and Frequency controls in all bands. With Auto Listen, the Gain and Q controls will automatically solo the respective changes they apply to each band, while doing the same to a Frequency control will automatically solo the filter in the channel. Auto Solo automatically switches monitoring to the respective channel (M or S, L or R) on which Gain, Q and Frequency are being adjusted. Separate frequency-response graphs for each channel constantly update to illustrate the results of your tweaks. You'll see and hear your EQ adjustments like never before.
Voice vst singing free.