The Best Free R And B Vst
Let’s get your vocals under control with the best vocal compressor plugin software.
VST (Virtual Studio Technology) is a software plug-in format developed by Steinberg. These plug-ins generally come in one of three types: instruments, audio processors, or midi processors. They are among the most ubiquitous plug-in formats, and are what most people refer to when the term “software plug-in” is discussed. The 5 best free VST / AU instrument plugins of 2020 High-quality instrument plugins don’t necessary need to be expensive. In the video tutorial above, we demo five great instruments spanning synths, strings, guitars, and more that you can use in your own productions for absolutely free. Dec 12, 2020 Conclusion: Best Hip Hop VST Plugins. So this will be everything for this post about the best VST plugins for hip hop production. Both paid and free ones have their up and downsides. You choose between the price and the capacity/potential of a particular drum machine or synth VST. With free ones, you can only go so far. Download Besure N87 plugin free. Best Paid Microphone Modeler Plugin. Antares Mic Mod EFX; Conclusion: Free Vocal VST Plugins. Well, here were the 50 best free vocal plugins that give you a pro touch to your projects. Try them out and make some extraordinary soundtracks with them. I’m waiting to listen to your soundtracks created by these.
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As each compressor plugin software is different, and there are myriads out there to choose from, we’ll keep it simple, and take a look at 5 of best best choices out there…
All of which were researched and recommended by the best.
Quick answer: Softube Tube-Tech CL 1B is the favorite, but if you’re looking for something less costly, take a look at the FabFilter Pro-C2 as perhaps the most popular option out there.
However, picking off a couple isn’t good enough, compressors differ based on character and style.
So let’s take a closer look 🙂
Find more great gear here:
EQ Plugins for Vocals, Top Waves Audio Plugins, Tape Emulation Plugins,Vocal Microphones
Vocal Compression Guide
What is a Compressor?
Compressors are a bit of a controversial plugin in some ways, as to many it is mystery how it works… and even more of a mystery as to what it can do for them.
This is especially true when it comes to vocal compression.
But as simply put as possible, a compressor compresses dynamic range. So that means that above a set volume (threshold), the compressor will limit the amount of volume increase going out the back end (output) compared to what is coming in the front end (Input).
Given that basic function (compressing and audio signal’s dynamic range), you can imagine the vistas of creative potential open to producers. Imaginative engineers realized you could use them creatively to re-shape the transient shape of sounds. Presto! Compression algorithms became secret sauce.
Hence many fancy named compression techniques, such as of side-chaining, parallel compression, etc., are now used. But not just in a technical way, but as if the compressor was itself a musical instrument.
However, we are on the topic of vocal compressor plugins. So, keeping that in mind, there are a few features that every good compressor should have. Let’s find out.
Features to look for & How to choose
If you follow forum discussions, you will find a lot of opinions about the various types of processors out there. Each producer has their favorite because, given time and experience, one compressor can be somewhat like another.
All compressors will should have these:
- Threshold – which determines the level your audio signal must be before the compressor can reduce its volume.
- Ratio – determines the level of compression that will be applied to the audio signal once the loudness threshold is reached.
- Attack – how fast or slow the compressor will be activated to reduce loudness.
- Release – how fast or slow the compressor will be deactivated to return the audio signal to is original level.
- Knee – smooths out the ratio so that there isn’t a sudden change in dynamics.
- Make-Up Gain – used to “make-up” the amount of gain that has been lost from all that amplitude attenuation.
- Output – allows you to increase or decrease the sound coming out of the compressor to a desired level.
For a more detailed explanation of each, read thisreal funny exposition of audio compression in music production.
Beside these featured listed, a compressor may function slightly differently, or offer some additional features that make them useful for whatever purpose you want to use it for… in this case, mixing and recording vocals.
Character and Vanilla
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There are “Character” units, and “Vanilla” units. Like the name suggests, a good character compressor will add some depth and personality to your vocals. A vanilla compressor will get the job done without you know it was even in the room, like a good butler.
Other than that, another thing to look for in a compressor is versatility. That and the ability to get the results you want reasonably quickly.
Sometimes those things will conflict a bit. That is why we choose a plugin which fits our needs the best.
Best Compressor VST Plugins for Vocals
Softube Tube-Tech CL-1B
Price & Demos @ Plugin Boutique
Softube is a great name in overdrive DSP and this FET emulation has many, many fans. This one is of an optical unit. A high-ticket opto unit that many love for its “musicality,” but may be out of some user’s budget.
Feature wise it’s a lot like the popular CLA-76 from Waves that we mention below, but the source unit has a unique behavior that made them a top choice. The optical method is prone to being softer and gentler to vocals, while still being able to lay down the law when necessary.
It is all about the secret DSP sauce of how nothing is really linear. Add 2db of Gain and suddenly your sound is different. Changing one knob is like changing five knobs on a “clean” compressor. Over time you can get a sense of what is going on. Until then…
You tend to start out wiggling the vaguely labelled knobs and suddenly something great appears in the murk. This is character processing at its best, and if the unit sounds good then you can’t beat it.
The only downside to nitpick at is that if you’re a control freak you can also find it frustrating, since you can’t so much “control” this unit but rather “guide” it like an air traffic controller guiding a Boeing 747 onto land.
That said, it’s good to give up some control, especially if you know there were some experts at the wheel behind this thing, and the results are often solid.
If this is the path for you then close your doors to the world and make this the only device you use for everything. Just like they did back in 1965. It is part of your “sound.”
Demonstration
Waves CLA-76
Price & Demos @ Waves Audio
Waves have been around for a very long time and for much of it as the top name in the game. Their plugins used to be really expensive. Nowadays if you catch them on sale they are cheap as chips. And general pretty good value for that.
The CLA-76 comes in two guises (blue & black) and both are emulations of versions of a classic 60’s Compressor/Limiter. People still pay big coin for hardware versions of these things for “modern” recordings.
Feature wise, these units don’t have a lot on offer. Input, Output, speed the Ratio Curve operates, and then a section of Ratio pre-sets. Sounds dull, I know, but in-practice they can be great.
CLA-76 has a pretty fast Attack, meaning there isn’t too much time between a loud transient arriving and the compression goblins leaping into action. Great for drums as you can really flatten them to add thickness, edge and size.
And for vocals? Depends on who you are. Some like the CLA-76 for vocals for that very same reason. Merciless attack times, the ability to really crunch those pop vocals. Others don’t. But some producers, like Chris Lord-Alge, swear by them for the “the sound.”
Another thing to watch out for is that these units add saturation which changes the “weight” of the sound with wee bits of distortion overtones (and some undertones too). This means the units respond very nicely to being hit hard.
Demonstration
Softube FET Compressor
Price & Demos @ Plugin Boutique
More Softube, more emulation. Everyone loves a bit of bounty hunter scum. Or so it would seem with another 1176 emulation. This one looks more like a 70’s Hi Fi than the original though.
Price-wise, when it’s not on sale, it costs more than the Waves unit mentioned. So it’s a good idea to take a look to see if you’re lucky.
However, FET has more features. Softube added some more modern features (along with improving the flow of the knobs) so you can parallel process and alter what parts of the signal trigger the processing goblins. This is doable with some effort in your DAW with the CLA-76, but far easier in the FET.
Again, some people love it on vocals, as it can really rough them up add some punch where needed. Many think the parameter additions make this a better bet there. Just keep in mind that some have noticed that the FET can slide into distortion if you aren’t paying attention. Vst tape delay free.
This is a character effect (processor to be accurate). So be aware that, while you can use it on everything, including vocals, you may find that you’d want to slap this bad boy onto different things in different places.
Demonstration
Softube Summit Audio TLA-100 Compressor
Price & Demos @ Plugin Boutique
Another minimalistic blast from the past. The Summit Audio units got popular in the 80’s, particularly for vocals.
The reason this style of unit works so well for vocals is that it tends to be kind. Besides the Tube-Tech, the other compressors so far have tended to be rough and rowdy (which has its charm) but the TLA-100 is smoother and less noticeable as it goes about its work.
“Smooth”, “controlled”, and “softening” are common adjectives applied to the TLA-100. Softube added a few extra features including a separate saturation section so you can control how tubular it all gets.
The Parallel options seems slightly unusual as that effect is normally used with more brutal compressors but we won’t complain that it is there.
This compressor isn’t a jack of all trades. But if you want a character unit to supplement your core compression, or you want to choose one unit to live with then this could be it. I may just suggest that it could see you struggle with less controlled singers like Rappers.
If you ever feel the need to lay down the law in your vocal mix, refer to the other units mentioned. But for singer-songwriter tracks, this is great.
Demonstration
FabFilter Pro-C2 Compressor
Price & Demos @ Plugin Boutique
This fellow is the real odd one out here. Not because it’s the best or the worst, but because it’s not a character unit. Pro-C2 is all about modern, practical, versatility, and clean.
This is the modern jack of all trades, cover every piece of ground, device that many of us bedroom boys love. Why buy and learn 78 devices when you can get one?
It is also simply the go-to plugin for all your compressing duties on every track, not just vocals. So it is well worth it.
You get a lot of modes targeted at most of the common things you will want to do with a compressor. For instance, its vocal mode helps you to bring vocals to the front of the mix. A nice little addition to a plugin.
Analog, Classic & Optical style modes are also on the list. But honestly, it is doubted that they can really compete with the dedicated units mentioned above. Think of it as leaning a bit that way.
Upside? This is the only unit here to offer control over the Knee of the compression critters. Boggling if you don’t get it but super useful if you do. Especially when it comes to vocal mixing.
Also, if you ever needed to learn how to use a compressor for mixing vocals, you’ll probably find about as many engineers on Youtube showing you how to mix vocals via the FabFilter Pro-C2 than any other one mentioned. You probably think of it as the ‘Fruity Loops’ of compressors.
Also, rather than being stuck in an old-hardware frame of mind the interface is visually informative and very adjustable to suit your task or preferences. You can even pop it full screen on an unreasonable large Retina display!
Demonstration
Waves Audio V-Comp
Price & Demos @ Waves Audio
Waves V-Comp rides on the vintage Neve’2254’s classic sound with its super-responsive dynamics processor.
It has all the typical compressor controls and its interface is intuitive and easy to use. The V-Comp also features a De-Esser switch which functions like a high-frequency side-chain to smoothen harsh high frequencies in the mix. This is a nifty feature that can be turned on and off with a single switch. Also included is a limiter that can be used independently.
While some user reviews do not seem convinced of the V-Comp’s emulation of the actual 2254 machine, many are satisfied with its silky smooth compression. V-Comp lends a unique ‘analog-ish’ color to the entire mix, which we believe to be a commendable feat in itself.
Its vintage-style squashing of the transients is also convincing. There is a bit of warmth in the processed signal which can be further shaped by the De-Esser and the limiter functions.
Needless to say, the V-Comp is a good option for those who want the most out of their buck, especially if you’re going for an easy-to-use plugin that fits most styles of sound.
Waves CLA-2A
Price & Demos @ Waves Audio
The CLA-2A is modeled after the legendary Teletronix LA-2A, a tube-based compressor from the 1960s. The Teletronix LA-2A is prized for its electro-luminescent optical attenuator. The Waves CLA-2A emulates this frequency-dependent action for smooth gain reduction.
Producers love the multi-stage release and the CLA-2A’s quick response, both of which add character to the mix. It seems that most producers use the CLA-2A for leveling purposes, particularly for bass sounds. But it has also proven itself as a competent vocal compressor as well.
Included when buying the CLA-2A are presets made by Grammy-winning mix engineer Chris-Lord-Alge, a side-chain frequency filter, and a limiter mode.
The CLA-2A does not have a lot of tricks, but its historic sound and simplicity makes up most of its charm. It has more than you would ever expect from a product of its price point.
Waves CLA-3A
Price & Demos @ Waves Audio
Based on the original 1969 solid-state compressor, the Waves CLA-3A boasts a transparent compression curve. This ensures a fast response from attack to release, a perfect tool for high-tempo music.
Moreover, it packs a subtle harmonic distortion for some added spice. This works best for bass, as it brings out a unique kink from the sound. Nonetheless, the CLA-3A infuses this edge to your vocals without ruining the signal.
Like the CLA-2A, it uses an optical attenuator for gain reduction. The algorithms behind the compression are program dependent. This means that it is hard to say how a particular setting would change the quality of the sound. This unwieldiness is expected out of any ‘vintage-style’ compressor and is what makes it fun to use.
The CLA-3A’s interface is fairly simple. It has a Peak Reduction knob for controlling the desired compression, and a Gain knob for adjusting the levels after compression.
Overall, the CLA-3A can be used for a wide variety of applications. But its magic is most potent on bass, vocals, and guitars.
Waves Renaissance Vox
Price & Demos @ Waves Audio
None other than Drake’s producer Noah “40” Shebib has praised this plugin as “one of the most important plugins ever made.” These high words of praise are only equaled by the Waves Renaissance Vox’s packed features.
What the R-Vox lacks in visual appeal, it makes up for in its ‘under the hood’ bag of tricks. It deploys an entire array of expansion, compression, and limiting gadgetry, most of which happens by way automation.
But despite the complex tech behind R-Vox’s processing chain, users are only given three controllable parameters, which are expander and compressor thresholds and output attenuation. Needless to say, producers who want more control over the attack and release times may find the Renaissance Vox too wild of a beast to tame.
Nevertheless, this plugin’s ‘plug-and-play’ philosophy helps producers focus on other mixing aspects by automating the gritty details. And it does this to excellent effect. An instance of R-Vox instantly puts your signal into the front and center of the mix. It adds weight to any signal, which can help for weak-sounding vocals to stand out.
Another added bonus is its relatively small CPU footprint. You can chuck in multiple instances of the plugin without putting a strain on your machine.
Final Thoughts
What to do?
The Tube-Tech CL 1B unit is the favorite by far. But being a high-ticket item, you may want to consider the other four units mentioned if you’re on a tighter budget.
Then, you can decide if you want to commit to a path, like owning one unit that you use for everything, or having a couple that fits diverging tastes. In the latter case you won’t have one unit that you have to “fight with” to submit to every path that comes across your DAW.
If you’re thinking a character unit, then it really comes down to what appeals to you mostly. Namely:
Waves CLA-76, Softube FET and Summit Audio TLA-100.
Waves CLA-76 and Softube FET may suit people who mix harder and louder (as most of us have to these days), and whose vocalists need more discipline. Submitting to the Summit Audio TLA-100 could be perfect for the folksier amongst us.
But if dollars are the deciding factor, then check if Waves is having one of their many sales right now go grab it!
But for the vanilla producer/engineer, the FabFilter Pro-C2 has so many possibilities. Not only in the “I can’t believe it’s not butter” processing, but in dramatic or effect processing that makes it hard to pass by.
If you want just one compressor and don’t mind the vanilla, FabFilter Pro-C2 is the one ring to rule them all.
The Tube-Tech CL1B, when powered up with the Collection Upgrade, proves itself to be a very competent product. While definitely among the most expensive in the list, its versatility and its added features make it worth every buck.
But one cannot also ignore the CLA-2A and CLA-3A, as these are also very powerful compressors. What makes them interesting are their unique vintage features. If you’re looking for something that would help you develop your personal sound, these two products might suit you the best.
Of course, one could never go wrong with the Renaissance Vox. While also learning more towards the pricier side, the simplicity and the sheer power of this plugin makes it an awesome choice for newbies and vets alike.
On the other end of the spectrum is the FabFilter Pro-C2 which is as simple and vanilla as you can get. If you’re looking for a no-nonsense compressor that does its job, the FabFilter is an ax that will never fail you when you need it the most.
The Best Free R And B Vst Download
Piano VSTs are a songwriter’s best friend. The piano is one of the best instruments to use for writing, arranging and producing music.
That’s why a great sounding piano plugin is a helpful and inspiring tool in almost every genre.
Those inspiring sounds lead to creating better music.
There are tons of piano plugins out there, but most of them are expensive. The top picks can cost a fortune.
But you don’t have to spend big money to get a great sound.
That’s why I’m rounding up the 10 best free piano VSTs that will give you an inspiring acoustic piano tone in your DAW.
1. Spitfire Audio LABS Soft Piano
Spitfire LABS contains some of the best free plugin instruments available.
LABS is an ongoing series of free software instruments made by musicians and sampling experts in London. It’s updated with new sounds constantly and sports an easy to use user interface.
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Their soft piano plugin is still a go-to piano sound for many professional composers. Some musicians have actually used this free VST plugin to write entire albums of solo piano music
Soft piano delivers a warm, solemn tone. This sampled instrument was recorded with a thin strip of felt between the hammers and the strings for an evocative sound.
2. Ivy Audio Piano in 162
Piano in 162 is a sample library of a Steinway Model B grand piano made with a comprehensive sampling approach. The library includes two round robins, five dynamic levels, and separate pedal on/off samples.
Round robins are the number of different samples per note. The plugin will select a random sample each time the note is played, contributing to the realism of the sound.
Round robins are the number of different samples per note. The plugin will select a random sample each time the note is played, contributing to the realism of the sound.
Piano in 162 was recorded at 96kHz through two pairs of Rode NT5 cardioid microphones—an ambient pair in the hall and a close pair inside the piano.
You’ll need a sampler to run this library. Piano in 162 is compatible with the full version of Kontakt, or on Plogue Sforzando which runs .sfz files. Sfz files are text files that store instrument data for software synthesizers.
3. Prism Audio Atmos Piano
Atmos Piano is a perfect piano plugin if you’re looking for that dreamy, distant sound. It’s perfect for intimate ambiences, or a cinematic bed.
Atmos is a robust 2.4 GB library with 241 different samples. There are two separate microphone sources that can blend together with decay and release parameters.
If you’re looking to create an atmospheric, ambient piano soundscape, then this piano plugin is a perfect choice.
4. Keyzone Classic
Keyzone Classic is an all-round piano plugin. This sample based plugin is capable of replicating some of the most sought after piano brands.
The presets include Yamaha and Steinway grand pianos, as well as electric piano and Rhodes.
Keyzone Classic also sports common parameters you would find on a synthesizer. ADSR, and an LFO able to affect pitch, expression, and pan can allow you to shape a unique piano sound.
With its incredible sound shaping parameters, there’s no question why Keyzone Classic is often recommended as a go-to free piano VST.
5. Versilian Studios Upright No. 1
Versilian Upright No. 1 is billed as a lightweight sketching plugin, but definitely sells itself short. It’s an excellent representation of a classic upright piano.
This upright piano VST was sampled using wide and close mics. Like Keyzone Classic, Versilian Upright offers ADSR controls as well as built in reverb and panning.
The intensive sampling of this plugin includes 3 velocity layers with 2 round robins; sampled in tritones with a pair of wide, close mics. The samples include full decays of up to 30 seconds, which allow for great versatility when you use a sustain pedal.
Versilian Upright No. 1 is a go-to upright piano vst that will bring authenticity to your music.
6. Soundmagic Piano One
Soundmagic Piano One comes from the sampling of a Yamaha C7 concert grand. It uses its own hybrid modelling engine to capture the well known sound of the C7.
This engine combines the realistic sound of sampling and the playability of modelling. The playability is responsive due to the modelling while the sampling makes the sound crisp and realistic.
The user interface includes an absurd amount of controls for a piano VST. It allows you to customize just about anything. Interesting features include piano noises, audience and player perspective, and tuning systems.
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7. 99Sounds Upright Piano
99Sounds Upright Piano is an upright piano plugin recorded by Italian pianist and engineer Rudi Fiasco. It features four sampled notes per octave and six dynamic layers per sampled note.
99Sounda Upright piano features a simple interface with ADSR, volume, and reverb controls.
What makes this VST a bit different is that it includes filter and tremolo control. If you’re looking to create a vintage lofi sound inside of a plugin, this one’s for you.
8. 4Front R-Piano
4Front R-Piano is a bit different then most of the sample based plugins on this list. R-Piano is inspired by RSP73 pianos, a popular discontinued electric piano plugin.
R-piano generates 127 different layers continuously, under a vintage overdrive. You won’t have worry about common sample library issues like CPU load or stuck notes with R-piano.
While this piano VST doesn’t exactly emulate a realistic piano, it can work well as an alternative to the Rhodes electric pianos
9. DSK The Grand
DSK The Grand is a lightweight plugin at just 51 MB in size. If you’re low on space and need a piano plugin to finish your track, then this piano VST is for you.
It contains 4 velocity layers, with 4-6 samples per note. The user interface is simply laid out containing ADSR controls, and a reverb.
By tweaking the release parameter and using the on-board reverb, you can get this small plugin sounding huge.
10. Bigcat Instruments Iowa Grand Piano
Bigcat Instruments Iowa Grand Piano is the free piano plugin you want if you’re looking for absolute realism. Iowa Grand Piano is a Steinway & Sons Grand recorded with a pair of Neumann KM 84 microphones. It’s hard to believe that this one is free.
Most piano VST’s are sampled every third note to save space for round robins and velocity layers. Iowa Grand Piano includes virtually every note of the piano with three velocity layers.
The individual samples are available for download, and exist in the public domain. This means you can use them in your music on the sampler of your choice. The plugin interface features standard ADSR controls, volume, and pan.
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You don’t have to empty your wallet for a professional piano sound.
Download these plugins and layer them on top of one another.
Split them by left and right hand to get a unique sound.