Free Harmonic Exciter Vst Plugin
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So far in this series, I’ve covered some of my favorite and most used compressor, limiter and equalizer plugins — three types of processing vital to any mastering engineer.
It’s important not to forget about other processors that can add harmonic content to your material. You might hear them referred to as exciters, enhancers, saturators, maximizers etc. — regardless of the name, these plugins can be great for adding tone, vibe, impact, and character to your masters.
- Harmonic Exciter Vst Software Ozone 4 v.1.0 The process of mastering ranges from correcting mistakes made in the mix to preparing a recording for target listening environments.
- The result of years of research into what makes things sound ‘better’, Slate Digital’s Revival is a new type of Sonic Enhancer. Borrowing aspects of tubes, tape, transformers and world-class analog filters, it can be used on individual tracks – for adding air to pop vocals or fatness to drums, for instance – but it is also amazing during the mastering stage to bring out details in.
- TesslaPRO is a free exciter and enhancer VST plugin developed by Variety Of Sound. Compatible OS(s): Windows. TesslaPRO is a transient aware signal saturator. It offers: Transformer style signal saturation. Smooth transient polishing and increased RMS leveling. Transient aware signal saturation. Switchable sub-bass enhancements.
- The Modern Exciter VST plugin by Antress is a high quality exciter / harmonic enhancer. The audio plugin features high and low exciter controls, an analog button, and a VU-meter. The Modern Exciter VST is capable of applying subtle harmonic coloration to the sound without squashing it!
- Free VST Plugins are one of the most exciting things about mixing. In the past it was impossible to imagine that so many quality tools could be available at no cost. Today there are more great free plugins than ever before, but the freeware scene is always changing.
1. UAD Ampex ATR-102 and Studer A800
Voxengo LF Max Punch is a professional audio effect AAX, AudioUnit and VST plugin for music and sounds where low-frequency thump and punch are most welcome, and where distortion is applied specifically to bring the bass sound to life.
These are emulations of the classic tape machines, and while they are two separate and very different plugins, I find them both to be essential — and wanted to make room for the many other great processors — so they occupy the top spot.
They’re great for both mixing and mastering, and can be used on individual tracks or entire mixes. For a majority of the time we’ve been listening to recorded music, tape has been involved, and these two plugins help achieve that famous sound.
The ATR-102 features 4 different tape types, 4 tape speeds, and dozens of other features that make this an incredibly deep tool for adding color and tone to your material. I find that it helps add a sense of clarity and separation between instruments in a way that no other plugin does. It’s definitely a hi-fi sound, but the brightness can be dialed back by changing the tape speed or using the shelf EQ.
The Studer A800 is a bit more warm and vibrant. I find myself using this one on individual tracks or sub-auxes more than the ATR-102, but when material needs to sound more rolled off, saturated, and vintage, the Studer is unmatched.
Unique features: The sheer depth of these two plugins makes for a virtually endless amount of sonic capabilities. The Studer is simpler, and I find myself tweaking the bias setting to achieve a very open, airy sound. The ATR-102 has really unique tape effects like wow, flutter and crosstalk. While you may understandably hesitate to use these on a master, in the rare case when you absolutely need your material to have a subtly warped, analog feel, look no further.
2. SPL Vitalizer MK2-T
The Vitalizer MK2-T is a tried and true hardware unit that is common in mastering, and the plugin does a similarly great job of adding air and presence to your material. There are also useful compression and drive controls. If your source lacks excitement and definition, the Vitalizer is a quick fix thanks to it’s intuitive interface.
Unique feature: The stereo expander on the Vitalizer is as good as on any plugin I’ve found. If I want to widen the stereo field in mastering, this is the tool I reach for.
3. Sonnox Oxford Inflator
When you need to add impact and modern size to your material, look no further than the Inflator. It adds a tasteful curve, even when it’s pushed pretty hard. Although it can make virtually any source sound and feel more exciting, it really excels with electronic music.
Unique feature: Aside from Input and Output controls, it has “effect” and “curve” faders. That’s it. What I find to be most unique about the Inflator is its ability to enhance program material, even with such limited controls. There are very few plugins that are essentially “sound better” faders/knobs, and this is definitely one of them.
4. iZotope Ozone 7 Exciter and Vintage Tape
The Exciter alone has warm, retro, tape, tube, triode, and dual triode modes. More impressively, it’s a multiband exciter, in case you want to add any of these characteristics to specific frequency ranges. The vintage tape plugin is yet another iZotope plugin with flexible digital-style controls, but a warm analog sound.
Unique feature: Not only does the exciter work in mid-side mode, the exciting can also be added in parallel, per frequency range. The gain match feature on both plugins can help you determine if the changes you’re making are actually enhancing the material, or just increasing volume.
5. PSP Vintage Warmer 2
The Vintage Warmer is also a compressor/limiter in addition to being a great tool for adding tasteful saturation to material.
While there are many controls, everything is laid out in such a way that’s easy to understand. Both the sound and metering are excellent. This one can go from adding tasteful saturation to expressive gnarly tones, which can also make it a valuable mix tool.
Unique feature: Being able to choose the frequency at which you want to add drive (at both high and low frequencies) can really help when only a certain frequency range needs saturation and excitement.
6. UAD Brainworx bx_masterdesk
The bx_masterdesk is a simple, all-in-one solution for those in need of an in-the-box mastering processor. The GUI resembles an analog mastering console, and allows one to work quickly and efficiently. Sonically, the plugin is equally impressive; between the four compressor options (which can be blended in parallel), the incredibly smooth 4-band EQ section, the helpful resonance filters, and the unique “foundation” control, one can quickly add energy and sculpt the tone of their program material. The bx_masterdesk doesn’t stop there, though, and is loaded with a variety of additional features including a high-quality de-esser, the acclaimed brainworx M/S features including Mono-Maker and Stereo Enhance, and a THD control for adding tasteful saturation to your masters. The harder you drive the volume control, the harder the processing stages are hit, so the bx_masterdesk truly does behave like an analog console.
The metering, functionality and sound quality are all of the excellent quality one would expect from Brainworx and UAD. For anyone looking for an uncomplicated, versatile, juicy-sounding in-the-box mastering processor, I strongly recommend giving the bx_masterdesk a test drive.
Mastering Tip:
While bx_masterdesk was designed for the purpose of mastering entire mixes, don’t shy away from using them on groups like drum or vocal buss. I had great success recently using it on a backup vocal subgroup. What’s great about it is that there are so many high-quality processors located in a singular easy-to-use plugin. I used the equalizer section to carve out the low end, the de-esser to handle sibilance, the THD to add some pleasing grit and color, and the stereo enhance function to add some subtle width. It’s not abnormal for me to process backup vocals this way using a variety of tools, and I love the convenience of being able to handle everything within one plugin.
Introducing the UAD bx_masterdesk plug-in by Brainworx
So far in this series, I’ve covered some of my favorite and most used compressor, limiter and equalizer plugins — three types of processing vital to any mastering engineer. It’s important not to forget about other processors that can add harmonic content to your material. You might hear them referre
7. iZotope Ozone 9 Exciter
iZotope’s latest update to their all-in-one mastering plugin suite includes several new modules that make in-the-box mastering even more intuitive and effective including Master Re-balance and Low-End Focus. Updated in this top-notch multiband exciter module include tweaks to the analog-modeled Retro, Tape, Warm and Tube modes. I really enjoy the flexibility of multiband processing and the fact that you can choose different saturation modes for each band, so if you want to add some analog tape vibe in the low end, and tube warmth in the upper mids, you are quickly able to do so, and with great precision and control over the frequency crossover points.
You can use the exciter in mid/side mode, which I often do when mastering. Additionally, you can ‘solo’ the individual bands, so you can hear exactly what the processor is imparting onto the signal, and I find this feature quite helpful when dialing in exactly how much I processing I should be doing. Ozone 9 is, of course, marketed as a tool for mastering, but I’ll regularly fire it up when at the mix stage, and even use it on individual elements such as snare drum, bass guitar, and vocals, in part because of the tonal shaping qualities of the exciter.
Mastering Tip:
Learn how the ‘amount’ and ‘mix’ controls interact and affect the signal: ‘Amount’ functions similar to a gain control — the higher the amount, the more drastic saturation will be achieved. ‘Mix’ functions as a wet/dry blend. I tend to use the exciter very subtly when mastering, and in the event I’m using higher ‘amount’ values, I’ll definitely dial back the overall effect using the ‘mix’ slider. Additionally, make sure to pay attention to the order in which you use the models in Ozone 9. I ensure that the maximizer (which functions as a limiter) is the last module in the chain, as I don’t want any gain to be added with the exciter (or any other module) after the limiter ceiling has been set.
What’s New in Ozone 9 iZotope Ozone Mastering Software
So far in this series, I’ve covered some of my favorite and most used compressor, limiter and equalizer plugins — three types of processing vital to any mastering engineer. It’s important not to forget about other processors that can add harmonic content to your material. You might hear them referre
8. UAD Vertigo VSM-3
The VSM-3, developed by Brainworx and Universal Audio is an emulation of an esoteric (and pricey) rack-mountable saturation unit from German company, Vertigo Sound. It’s a two-stage harmonic generator with mid-side capabilities. You’ve got extensive control over 2nd and 3rd order harmonics sections, each of which have their own unique sonic qualities, and each can go from tastefully subtle, to blistering and brash. The THD Mixer section allows one the ability to blend between the two stages, and you can choose between using them in series or parallel. Within each of the sections, you can target specific frequency ranges, so if you want to add a bit of warm saturation to the bass, and some crunch higher up in the frequency spectrum, let’s say on electric guitars, it’s fairly easy to dial in. In that case, I’d use the 2nd Harmonic FET crusher to add drive to the lows (bass), and the 3rd Harmonic Zener Blender and target the high mids. 2nd order harmonics are more tame and subtle in nature, whereas 3rd order have more ‘bite’, so this would be a useful application of the VSM-3.
Free rotary vst. There are so many unique tones available within this plugin–it’s a sort of saturator, equalizer, compressor all-in-one. It works great on individual tracks, sub-busses, or at the mastering stage, allowing you to bring attitude and vibe to dull, and lifeless mixes. If you have limited experience using saturation at the mastering stage, I do recommend avoid getting too heavy-handed with the VSM-3, as I mentioned, it can go from an exquisite polish to absolutely destroying transients unless you’re careful.
Mastering Tip:
Use it for Mid/Side Saturation: When mastering, I use saturation to enhance vibrancy and improve relationships between components of the mix. On a recent rock master, the sides featured crunchy, hard-panned electric guitars, and the vocal (which sat up the middle) was a bit lacking in character. I enlisted the VSM-3, adding a bit of brightness and via the 3rd Harmonic Generator, only focusing on the mid, disregarding the sides. Mid/Side processing can be extremely useful when mastering, and this unique saturator is no exception.
Honorable Mention
Although somewhat limited due to only being compatible with Pro Tools, the original Phoenix and its successor helped engineers add analog tape saturation and vibe to material long before most competitors. Simply put, it’s to this day, a great sounding plugin.
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Mastering in the Box with Ian Vargo
So far in this series, I’ve covered some of my favorite and most used compressor, limiter and equalizer plugins — three types of processing vital to any mastering engineer. It’s important not to forget about other processors that can add harmonic content to your material. You might hear them referre
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You may face several scenarios while mixing and mastering which may include the use of an equalizer, having a transparent display to analyze what you are adding or subtracting with the EQ, multiple EQ bands, and proper CPU usage is what to look for in an EQ. But with that said every piece of software and hardware alike creates and outputs a slightly different sound meaning they all have unique timbres and uses. Alongside that, there are some rather expensive plugins we may see online, which aren’t out of our reaches but we don’t know what we need until we need it right? Well, this is why its best to try some free EQ’s first to see what it is you like within an EQ and what it maybe you are looking for. We become ever so comfortable with our stock plugins, they do the simple tasks for us (sometimes), they don’t run our computer into the ground, and they for sure are pretty basic. Well, this is the issue most people come to, they want a better EQ, or they want a change of visuals. EQ History – ‘The first EQ was first used by John Volkman working at RCA in the 1920s” More Info & Download Specifications: Features & When To Use: Colour EQ is a 64-bit EQ plugin that offers 5 ”super parametric” bands to manipulate the frequency range. This is exceedingly handy when wanting to use more than one band in one instance; the intuitive gain knobs on the five bands allow for perfect mixing of these bands when mixing and mastering. Using the two different types of curves, Colour EQ offers a warm sound that you just wouldn’t get from your stock EQ. Having a bright visual display helps you to craft and mould your bands to preference. A great way to use this plugin is when you are not getting enough warmth in your low, mid/mids, Colour EQ will add a great sense of warmth throughout the selected bands. Another cool way to use this plugin is to use two different setups with two different curve types; you can use modified versions of the EQ for selected times in your mixdowns to add the feeling of a change in energy in a breakdown or drop. Colour EQ is a great tool to have in your arsenal for mixing and mastering, plus you may find many uses in your day-to-day production. Compatibility: Windows VST (32/64 bit), Windows/Mac RTAS, and Mac VST/AU format (Intel, OSX 10.5 and higher) More Info & Download Specifications: Features & When To Use: With a sleek, minimalistic design Free Ranger is a powerful EQ. With a mid-band (150Hz – 7kHz), fixed high (10kHz), low shelf (80Hz) SPL have kept things very simple so anyone can EQ with ease. Free Ranger gives the feel of the world-renowned API 560 EQ but offers this all for free! Free Ranger is a bodybuilder for your sounds while mixing and a gentle touch when mastering, this plugin makes EQing fun, quick and easy. You may find yourself using the four different EQ settings and incorporate them into your mixdowns. Using them to create different feels and vibes can give your masters that final touch you’ve been looking for. This is a must-have! Compatibility: macOS 10.9 through 10.15, Windows 7-10 More Info & Download Specifications: Features & When To Use: Simplicity is key with EQ work in the mix or master, and this plugin keeps that in mind through and through. With a very easy to use GUI STEQ 2 has a powerful but simple way of delivering a small form factor EQ to your DAW. This EQ gives off old school retro vibe, precise, clean, and adds a lot of detail to the mid-range. STEQ 2 is excellent for tonal rebalancing due to the broadness of the three bands creating a pure blend between the frequency ranges. Using this to add punch to claps and snares is also a good use. But be careful when adding to full bus groups. This EQ from Analog Obsession is an excellent tool to keep at your disposal when thinking about doing some tasks during your mix, or why not change up those stock plugins for free. Compatibility WiN, OSX AU VST, VST3 More Info & Download Specifications: Great for: Features & When To Use: Nova is a parallel dynamic EQ; each band has a dedicated, dynamic section giving the user full flexibility. Giving the option to drag and move bands in the visual GUI individually or group, this provides a natural form factor way to get results. Using the multiband compression built into Nova your be able to manipulate your EQ even further, this will be displayed in the visual GUI with real-time feedback of the compression process. (subtly decrease the threshold to hear the difference) In mix and mastering, you can use Nova to visually see where you may have audio issues to fix and makes it very easy to apply these changes with the drag and change feature. The dynamic EQ is a handy tool to have in practice when mixing down full compositions – use it to bring down or up frequencies only when they reach a specific volume. Nova is a heavyweight EQ with a lot under the hood all for free! Compatibility: Win XP SP2 or above, Mac OS X 10.7 or above. More Info & Download Specifications: Features & When To Use: ReaEQ may look basic, but under the hood, there is a lot to offer. Being able to have as many bands as you wish is a massive bonus, you also have the ability to change all of these bands to one of the following (shelves, bands, LPF, HPF, notch, bandpass, allpass). With a stripped-back GUI, it keeps you focused on the task at hand, not over complicating things but giving you the power of an audio god at your fingertips. With a tremendous real-time visual display, this gives you the eyes and ear focus that you need when EQ in the mix. Phasing is a big issue when mixing, ReaEQ gives you a ‘Show Phase’ button which will show you in your display what frequencies are being affected by the band. When mastering you may wish to keep all bands in one EQ patch, with ReaEQ you can do this. Stripped back and powerful ReaEQ is a favorite among many producers across a wide range of genres. Compatibility: WIN 32, WIN 64 More Info & Download Specifications: Features & When To Use: The Triple EQ is a three-band semi-parametric equaliser. With a simple and easy to read visual display of the frequencies in real-time, you will have a clear display of the EQ in front of your eyes. Alongside the huge +/- 40 dB range, Triple EQ has a bandwidth of .01 to 5 Octaves! An exciting feature with Triple EQ is that you can link two bands together using the ‘Link Channels’ feature. This will allow you to use them in unison; combine this with the automaton support to create quick and easy modulation. This is a great way to change an EQ while in the mix with complex automation. Using the linking feature to create movement and progression within your mixdowns makes Triple EQ a threat. Fully customisable shapes make this a different tool when deep in the mix or master, you will find many uses for the dynamic bands you can create—having dynamic bands that you are able to manipulate helps when visually your EQ and how it may affect the whole frequency range. Check this one out for a small form factor powerful EQ! Compatibility: Windows 7 to 10, Mac OS 10.7 or newer. More Info & Download Specifications: Features & When To Use: We have another FREE plugin from Analog Obsession! This time is bringing you Merica an emulation of the API 550A console equaliser. A simple three-band EQ delivers a lot of power to your mixes and masters. Selectively choose which frequency your band boosts or cuts with the option to the right of the knobs. All bands kept simple and easy to get to grips with. Meica also has a nifty and very much needed output knob, there will be no issues with clipping in the digital domain when mastering with this plugin. A larger than appearing sound Merica is an excellent EQ plugin to use when in the mixdowns and masters. Given that the EQ it emulates is an industry-standard plugin this small form, powerful, easy to use, and was coded by one man! Merica is a must grab for all audio creatives looking to upgrade their stock EQ plugins. Compatibility: VST Win, VST3 Win, VST Mac, VST3 Mac, AU Mac More Info & Download Specifications: Features & When To Use: TinyQ is a small form factor EQ. Giving the user a stripped-back interface TinyQ offers a solution to a simple job. Having too many settings can become overwhelming; TinyQ does what it says on the tin and doesn’t make your job any harder. Keeping things simple when mixing down whole groups is essential – finding yourself using CPU heavy EQ, or a stock plugin just might not cut it for you. TinyEQ is excellent for doing those necessary but straightforward EQ tasks! With the recent addition of built-in frequency analyzer, it makes EQ even easier when getting stuck into your mixes or masters. Create awesome sounding band curves. Great emphasis on keeping things simple goes a long way with TinyQ; the team has made a great EQ that does everything it needs to in one small package. With four bands plus high pass/low pass filters, you won’t be looking any further for your day to day EQ needs. Compatibility: Windows 7 or later, macOS 10.7 or later (both 64 bit) More Info & Download Features & When To Use: SonEQ has 3 bands, low (20 Hz – 100 Hz), mid (150 Hz – 4 kHz), high (6 kHz – 15 kHz). Combined with a high pass and low pass filter, plus a ‘Mid-high Q’ this means when it’s on your band its narrow and when deactivated will cause it to be wider. This indicated by the red light. Giving the user a lot of ways to EQ but keeping things user-friendly is what SonEQ does best. Having the volume meter is very hand when mixing with any EQ, it gives the visual display of when things are getting a bit heated for your output. SonEQ also gives you the full control of your input and output levels. This comes in handy when you are mixing your tracks with heavy effects, causing the overall levels to become louder than 0.0dB; this is where adjusting both the input and output parameters will solve the issue. With this plugin being free for all to use we don’t see any reason why this shouldn’t be ready to deploy at the click of a finger, whether it’s beefing up the mix with the built-in bass boost preamp staging or adding a touch of colour to the highs this plugin has you covered. Compatibility: Mac OSX 10.6 or newer – Windows XP or newer More Info & Download Specifications: Features & When To Use: PTEq-X is a digital emulation of three famous vintage EQ. Equipped with three EQ modules comprised of mid-range (2kHZ – 7 kHz), low-frequency (20Hz – 150Hz), high-frequency (3kHz – 16kHz). Using the mid-range module, you can use the low, mid parameter (top left) to effect the lower mid frequencies. Alternatively use the high mid setting (top right) to cause-effect to these frequencies. Moving down the EQ, we have our second module, which is PEQ1A EQ (Low & High). This comes with a bunch of parameters to mould your EQ patches perfectly to your source. Finally, this is all topped off with the HL3C module; this is a low-cut accompanied by a high-cut. You can also use the ‘Oversampling’ feature to reduce aliasing. Use the “Tube” switch to apply or deactivate the tube amp. Using the input and output levels will give you the ability to control any nasty peaks brought in or out of the EQ. PTEq-X is a combination of some of the best analogue EQ’s to exist, plus its FREE!! We recommend this one for a great addition to your EQ arsenal. Compatibility: Windows 7 – 10 32 and 64 bit. OS X 10.7 64 bit More Info & Download Specifications: Features & When To Use: Pushtec 5+1A is a versatile mid-range program EQ that has mixing and mastering at its heart. This plugin offers six bands, all offering a fantastic sounding boost through all parameters. A vast selection of plugins makes it easy for users to start with something super effective and tweak to their liking. “B/W” stands for bandwidth, this allows you to tweak the selected band and adjust to your preference. A friendly and straightforward GUI keeps this EQ a smaller form factor but with a lot of power. Being designed for mixing and mastering be assured that this plugin delivers best when applied to a whole group or a master channel. Giving instant sparkle to a mix or a very much needed bass boost this FREE plugin has you covered! Compatibility: Win 7 or higher only More Info & Download Specifications: Features & When To Use: QRange is a very straight forward, user friendly, and effective EQ for mixing and mastering. Giving the user an intuitive click and drag feature makes EQ work easy and more controllable. With a choice of twelve bands, there is excellent room for doing additive plus subtractive EQ all in one plugin patch. Each band has. Selection of up to five different types (peak, low-shelf, high-shelf, low cut, and high cut). Built into the frequency spectrum, you have the power to change it to pre or post. ‘Pre’ will let you see what the frequency range looks likes before the EQ is applied, whereas ‘Post’ will allow you to see it after the EQ has taken effect. Offering the ability to users to save and load their own presets makes it easy to bring back some of your favourite patches while working on a mix or master. It has to be said lkjb QRange is a must-have FREE EQ plugin. Compatibility: Win 7 or higher, macOS 10.7 or higher More Info & Download Specifications: Features & When To Use: TDR’s Slick EQ provides a recognizable analogue sound. Using three bands that bring together four different EQ models. Both low and high bands are coupled with a cut and bell feature allowing for comfortable band changing. Auto gain estimates the gain change caused by the current EQ settings; this makes it great to compare your EQ setting during the mix. There is also an ‘EQ Sat’ button; this will activate the saturator which is very intelligently paired to your EQ bands. This will add harmonics when boosting and remain passive when cutting. Being able to save your favourite EQ settings for a later mix or master can be done within the plugin. Coupled with a undo/redo button you never miss that sweet spot for your bands, alternatively set up two different EQs with the A/B switch. Slick EQ gives a very stripped back interface meaning you don’t get caught up with the visuals when doing equalising, providing a focus on what your hearing. This EQ shouldn’t be overlooked, with great coding, algorithms, settings, and excellent sounding types SlickEQ delivers more than you would expect from a FREE plugin. Compatibility: Win 32 bit VST2, VST3, Win 64bit VST2, VST3, AAX More Info & Download Specifications: Features & When To Use: Manda Audio brings us 7Q. 7Q is an emulation of the beloved ‘Classic EQ’ which became discontinued, the team came together and brought the community back a redesigned version. 7Q takes off all the fancy parts and gives you the bare basics; this is what gives this a place on our list. With 7Q giving you the ability to apply your EQ to the left or right or both channels, you can independently EQ both sides of the stereo field. Each band can be additive or subtractive. Keeping easy to use format is what this plugin does best; it doesn’t over-complicate the task at hand but assists your needs along the way wether mix or master. Low memory and CPU usage make it easy to have multiple instances in your projects without having your computer meltdown. 7Q is a nifty EQ that is awesome for giving your sounds a little crisp boost before running into your other plugins within the chain. Compatibility: Win VST 32/64 bit, AAX 32/64 bit More Info & Download Specifications: Features & When To Use: EQ1A is a FREE analog-style EQ with a clever algorithm giving you minimal phase coloration. This plugin has initially been paid to use the plugin, but the developers have decided to give it to us all for FREE! EQ1A allows you to use broad bands to shape your sounds or outputs in a clean, crisp and phase-corrected way. Being able to save you presets within the plugin makes it very easy to pull back that EQ you made on the last mix. 4-band parametric equalizer with an additional HP filter with variable resonance gives a wide range of settings to play with while keeping everything simple and user friendly. EQ1A does what it says on the tin for FREE! Using this within mixing or mastering may help you when wanting to add a hefty highpass or when looking to give some warmth to your mid ranges. It has to be said with a great look, and low CPU usage EQ1A is an excellent addition to your plugins. Compatibility: Win, Mac More Info & Download Specifications: Features & When To Use: Voxengo is notorious for doing some excellent free plugins. This addition is the Marvel GEQ, which is a fifteen band linear phase EQ. There is a routing tab that allows you to affect the signals mid/sides independently. (orange slides) Also giving full independence to the mid/side output level, becoming very useful when mixing and mastering. Bypass feature makes it simple to hear what your EQ is doing to your sound source. Alternatively, decide between two EQ setups with the A/B mode. For quick EQ drawing, you can hold ‘Ctrl or Cmd’ and click across the EQ drawing in your fader settings with the click of a mouse. Having a stripped back form factor with enough controls to complement your mixing tasks this plugin has to be our list today. Compatibility: VST Win, VST3 Win, VST Mac, VST3 Mac, AU Mac More Info & Download Specifications: Features & When To Use: BASIQ is a three-band EQ. It keeps in mind that EQ work for mixing and mastering doesn’t have to be a headache or over complicated. BASIQ is a design similar to the classic ‘Baxandall Equalizer’ which is knowns for its natural-sounding shelves and HiFi quality responses. Adding a smooth, gradual shimmer or warmth instead of a surgical sharpness is what BASIQ does best. Use on groups or a master chain to subtly but significantly add character with the turn of a knob. With some added presets you be able to get a quick change in tone with the click of a button. The small form factor makes this BASIQ a powerful tool to be used within the mix or master. Compatibility: Win, Mac, VST, AU, 64 bit With all of that said, grabbing all 17 plugins wouldn’t do you any harm, but we want to break down our top 3 picks! In our top spot, we have Colour EQ by DDMF. This plugin brings so many features that you would expect from pay to use plugins but all for FREE! Another fresh point is that the curves you can create with this cannot be done on other EQ plugins, giving Colour EQ a versatile approach. Low-CPU – Usage Customisable GUI – Great warm sound – 5 Bands Coming in second is Nova by TDR. Parametric, dynamic EQ, and multiband compression are all built into an excellent looking FREE plugin. Nova has a built-in dynamic EQ parameter when mixing, and mastering using a dynamic EQ is crucial sometimes. Having this all in one plugin for free is hugely commendable to the team who developed this plugin! Parametric equalization – Dynamic equalization – Frequency selective compression – Multi-band compression – Wideband compression And finally, our last top pick is ‘Triple’ by Blue Cat. This awesome plugin has so many features you just wouldn’t expect a FREE plugin to have. With a fresh interface and drag and click feature to make EQing even more natural Triple is a powerful EQ. Semi-parametric EQ – +/- 40dB Range per band – MIDI control and automation support – Real-time display Today we have covered a lot of great FREE EQs for mixing and mastering. Amazingly, we have developers putting out all of these plugins for producers/sound engineers to level out the playing field. As we have all seen these ‘not to name’ brands releasing rather expensive EQs that we just can’t fork out for, but with the way, music has progressed today in the digital domain it has become much more accessible for creatives to share their ideas and effects for free. With that said, they all have their benefits and downsides, but with them all being free, there is no reason you can’t pick them up and use these in your mixes or masters today!Free Harmonic Exciter Vst Plugin Download
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